RMIT Honours & MFA Graduate Exhibition

23 November - 7 December 2017

Building 4, RMIT, Melbourne

Really impressive range of recent graduates chewing over how the material of clay and the process of ceramics can inform a artistic outcome.

Graduate students are:


Holly McDonald

Sarah Austin

Magdalena Dmowska

Pie Bolton

Samantha O'Farrell

Heather Latham

Té Claire

 

 Madeline Thornton-Smith

RMIT Graduate Ceramics 2017

Bachelor of Arts - Fine Arts - Ceramics

22 November - 1 December 2017
Building 4 (Ceramics) RMIT

Nine RMIT ceramics graduate students exhibition boasts nine independent expressions of artistic practice with the ceramic process. 



Caelen Blake

Titles include: 
Asphalt, Power Point, Industrial Totem, Hang Me Out to Dry, Brick by Brick
  

Brigitte Bordourian

Titles include: 

Oni Genie, Blue Umbrella, Upset Hills, Marshmellow Children, Floating Tiles 

Yeonjae Choi

Titles include: 

Escapism, Look I Feel Smaller, Closer

Bonnie Ke

Sewing with Clay

Lucinda Kirkby

Botanical Exchanges

Seala Lokollo-Evans

Titles include: Boat Offering, Boat Vessel 

Kari Lee McInneny-McRae

Titles include:

That carpet is itching my bare skin, The radish seeds he handed me, handfuls of sand, My bare skin, Circular movements 

Tania Quinlan

Titles include: Vestige Receptacles, Garniture, Still Life 

Tessa Wallis

Titles include:

Talking Hands, Quirky Creatures; Leafy Sea Dragon, Lyrebird Vessels

Work in Progress

Group Exhibition ft.
Caelan Blake
Ryan Hancock
Kari Lee McInneny-McRae
Niamh Minogue

4-28 October 2017

mail
mailboxartspace.com.au

From the exhibition sheet:

Progress explores the importance of responding with action to materiality. The exhibition asks 'when is a work finished and why?'

Amy Kennedy - Ebb & Flow

23 September - 8 October 2017
Skepsi@Malvern
1297 High Street
Malven Australia

In this exhibition Kennedy's expands out of the round spiral, see works such as Ebb & Flow. The sub straight is also revealed as an integral part of the sculpture. See the work Cascade & White, where the thin leaves of clay are contrasted with the robust vessel.

Kennedy continues to capture the gentile forces of nature.  I see the effects of wind on the multiple such as leaves, petals. Or the rhythm of growth found in mushroom gills, shells or the effects of compression such as mulched tree litter and sedimentary rock.

White, artist blend clay/glaze material h. 7.5cm

White, artist blend clay/glaze material h. 7.5cm

& Breeze (behind) 14cm

Breeze (detail)

Breeze, artist blend clay/glaze material h. 14cm

Cascade, artist blend clay/glaze material h. 7.5cm 

Adrift, artist blend clay/glaze material h. 14cm

Ebb & Flow, artist blend clay/glaze material h. 14cm

Amy Kennedy Workshop Reveals - How the Kiln Magic Happens